Designer Tatyana Vorontsova shared kitchen and living room by a glass partition, and warmed the balcony at the bedroom has equipped real bower.
The owner of the apartment refused to single kitchen-living room, so the space is zoned by a glass sliding partitions. Closer to the window have arranged a full living room.
The interior is quite discreet on the colors of. But the wall behind the sofa accent made and painted in olive green. In order to maintain the classic style of its issued and moldings triptych posters violin drawings.
The rest of the furniture is also designed in the same style: soft quilted, cabinet - with filonchatymi facades.
For the dining area of the partition chosen pink accent. It is present in the upholstery of chairs and stools, as well as on posters.
The length of the line of kitchen units is small, so it made the most capacious. Above the upper tier lockers allowed another - with glass facades.
Lack of natural light in the kitchen area falshoknom compensated. Mirror with a traditional layout fastened over the narrow console. It not only expands the space, but also reflects the light.
The bedroom continued the classic theme and chose blue as an accent color textiles. Symmetry on the walls set using moldings that continue drawing filonchatyh facades closet.
In addition to the cabinet and a wardrobe in the hall have provided more and linen drawers. He is used as a chest of drawers under the TV.
Balcony at the bedroom and have warmed to join - apartment building allows for such alterations. Here there was a relaxation area - full boudoir mirrors, a pair of armchairs and a coffee table.
In the depths of apartment is equipped with a small dressing room. There is also one on another install a washing machine and dryer, not to occupy a place in their bathroom and kitchen.
bathroom itself turned out quite roomy. His slightly expanded at the expense of the corridor, but due to the protruding ventilation duct layout was difficult. So the bathroom is almost completely hidden in the niche.
Disposition.
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Author: Paul Shelyagin.
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